Gallery Artists

  • Jordi SÀBAT
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left hasVisual mce-content-body" style="position: relative;" contenteditable="true">Palafrugell, 1960</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">With its compositions of an irresistible expressive effect, the work of Jordi Sàbat, an artist and graphic designer, fits within the field of visual poetry. The play on interpretations and reinterpretations Sàbat proposes has the virtue of being able to provoke at the same time a smile and deep reflection on the spectator.</span></p> <p class="p1"><span class="s1"></span></p> <p class="p1"><span class="s1"><a href="https://www.anquins.com/en/blog/at-the-artist-s-atelier-b723.html" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview with Jordi SÀBAT</a></span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""></p> </div> </div> </div> </div> </div> </body> </html>
  • Albert ALÍS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Mataró, 1961 </strong></p> <p></p> <p>"His paintings are full of insinuations, of notes that gives prominence to the viewer who will have to complete the adventure that the painter is proposing. This urban insinuation is made from a palette that refuses to set limits to its possibilities, to close the world it represents." - Eudald Camps ...<br /><br /></p> <p><a href="/en/blog/albert-alis-b214.html" class="btn btn-default">More information</a></p> </body> </html>
  • Alejandra CABALLERO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Madrid, 1974</strong></p> <p></p> <p>"One of the most obvious characteristics of Alejandra Caballero's work is that his figures appear in places where we can all recognize ... the area is impersonal, like something taken out from an abstract memory, since it lacks detail." - Alfredo Garcia<br /><br /></p> <p><a href="/en/blog/alejandra-caballero-b236.html" class="btn btn-default">More information</a></p> </body> </html>
  • Àlex PRUNÉS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Barcelona, 1974</strong></p> <p></p> <p></p> <p>His paintings are the reflection of his personality, well-balanced and formally realistic, but full of mystery and magic" Mireia Puente Vilardel​ </p> <p><a href="/en/blog/alex-prunes-b327.html" class="btn btn-default">More information</a></p> </body> </html>
  • Aurembiaix SABATÉ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Bell-lloc d'Urgell (Lleida), 1980</strong></p> <p></p> <p>Next exhibition in the University of Communication in China (CUC), Beijing, in the Exhibition “Aliatges gràfics”  AWARDS: First prize "31è Premi de pintura Vila de Cambrils" 2012. Second prize "XXVIII premi pintura-XII Internacional del cercle de belles arts ...<br /><br /></p> <p><a href="/en/blog/aurembiaix-sabate-b266.html" class="btn btn-default">More information</a></p> </body> </html>
  • Bea SARRIAS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><strong class="">Barcelona, ​​1978</strong></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="">Architecture as a pictorial theme to represent light, the passage of time and absence. Departing from a technique derived from the realist tradition, Barcelonese artist Bea Sarrias “portraits” spaces full of lights and shadows which, regardless of whether they are interior or exterior, hide the souls of those who have inhabited and transited them. In 2019 she is working on her INSIDE project: a new mural painting made in the new NATO’s Headquarters in Brussels.</p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/bea-sarrias-b320.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Beatrice BIZOT
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left hasVisual" style="position: relative;">Milan, 1966</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">With a sculpture work which is linked to visual poetry and tackles subjects as the city, construction and the human being, Beatrice Bizot is able at once to represent the contemporary world’s upheavals, and to draw attention to existential matters. Bizot surprises us with an aesthetic language of her own that builds a work that is simultaneously figurative, surrealist and intimist.</span></p> <p class="p1"><span class="s1"><a href="https://www.anquins.com/en/blog/a-visit-to-beatrice-bizot-studio-b731.html" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview to Béatrice Bizot</a></span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/beatrice-bizot-b314.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Benjamín TORCAL
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Barcelona, 1959</strong></p> <p></p> <p>Fine Arts (University of Barcelona). The pictorial expression is for Benjamin Torcal a vital necessity, a requirement of existence. Each of his works becomes a confrontation in which the artist launches references filtered by their life attitude to the viewer. The references are rooted in the concepts of classical mythology.<br /><br /></p> <p><a href="/en/blog/benjamin-torcal-b283.html" class="btn btn-default">More information</a></p> </body> </html>
  • Carlos DÍAZ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left mce-content-body hasVisual" contenteditable="true" style="position: relative;">Barcelona, 1968</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">In the work of Barcelonese painter Carlos Díaz, objects, places and shapes we see everyday are impregnated with beauty by intricate compositions and interplays of lights of shadows. He is one of the most notable artists of the new generation of Catalan pictorial realists and has exhibited his work in galleries all around the world.</span></p> <p class="p1"><span class="s1"><a href="#" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview to Carlos Díaz</a></span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""></p> </div> </div> </div> </div> </div> </body> </html>
  • Carlos MORAGO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Madrid, 1954</strong></p> <p>He is a Spanish contemporary painter, known for highly realistic work, is supported by an extensive resume of solo exhibitions, group as well as prizes. His presence in both national and foreign galleries has been usual since 1980. He has received awards such as the medal of Honor of medal ...<br /><br /></p> <p><a href="/en/blog/carlos-morago-b203.html" class="btn btn-default">More information</a></p> </body> </html>
  • Coia IBAÑEZ FERRATER
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Reus, 1962</strong></p> <p></p> <p>"Ibanez knows that there is no universe that fits just in painting, but that some parts of them may inhabit a canvas. He knows and teaches us" Aleix Cort <br /><br /></p> <p><a href="/en/blog/coia-ibanez-ferrater-b265.html" class="btn btn-default">More information</a></p> </body> </html>
  • David CASALS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>“David Casals has a work that exceeds the limits imposed figuration to achieve a certain poetic lyricism, difficult to achieve in works that look like they are giving everything. The truth is that this artist is far from the radical objective tendencies as hyperrealism and photorealism, whose coldness and plasticity contrasts sharply with the mystery ..."<br /><br /></p> <p><a href="/en/blog/david-casals-b202.html" class="btn btn-default">More information</a></p> </body> </html>
  • Didier LOURENÇO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left hasVisual" style="position: relative;">Premià de mar, 1968</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">Didier Lourenço’s, an artist whose explosive optimism shakes the spectator, builds from sincerity an evocative work tied to the experience of life. In spite of the variety of subjects of his paintings, the use of powerful colours and a knack for playing with textures direct Lourenço’s work towards one direction: the exaltation of the joy of living.</span></p> <p class="p1"><span class="s1"></span></p> <p class="p1"><span class="s1"><a href="#" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview to Didier Lourenço</a></span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/didier-lourenco-b233.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Fernando ALDAY
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>Santiago de Chile, 1959</p> <p> “Fernando Alday always finds a link between the material and the idea, and this relationship established involves also the observer, which gradually discovers the creation...It is a succession of sensations which binds the impression of being located on the main wall of a demolished building"<br /><br /></p> <p><a href="/en/blog/fernando-alday-b200.html" class="btn btn-default">More information</a></p> </body> </html>
  • Frank JENSEN
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left mce-content-body hasVisual" contenteditable="true" style="position: relative;">Salten (Denmark), 1956</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="">Frank Jensen’s abstract paintings depart from a solid structure and a balanced and geometrical composition full of harmony and beauty. With its intense treatment of colour, his abstraction appeals the concept and the ideas and, at the same time, it manages to tell stories that profoundly move the spectator.</p> <p class=""><a href="#" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview to Frank Jensen</a></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/frank-jensen-b204.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Isabel SALUDES
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Alforja (Tarragona)</strong></p> <p></p> <p>Aquesta artista nascuda a Alforja i resident a Barcelona té una llarga trajectòria. Ha exposat a Suïssa, Alemanya, Portugal, França, Japó i a l'estat espanyol destaca la seva participació en diverses ocasions en la fira d’Art Contemporani ARCO des de l’any 1993 . L’obra d'Isabel Saludes introdueix ...<br /><br /></p> <p><a href="/en/blog/isabel-saludes-b211.html" class="btn btn-default">More information</a></p> </body> </html>
  • Jaime DE CÓRDOBA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Barcelona, 1961</strong></p> <p></p> <p>“The themes are representations of man on earth and its landscapes, wind Cap de Creus, its trees, childhood, the current of the river ... Landscapes lost or retained in memory. Stone, cement, iron, ceramics ...” Flamicell Art Contemporani  <br /><br /></p> <p><a href="/en/blog/jaime-de-cordoba-b254.html" class="btn btn-default">More information</a></p> </body> </html>
  • Jesús CURIÁ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Madrid, 1969</strong></p> <p></p> <p>"Jesus Curiá's sculptures always surprise thanks to the incredible force that he transmits to them. He plays with the different possibilities that the human figure offers when he combines it with a multitude of materials to stamp on the final work a powerful dramatic quality full of fantasy and mystery."<br /><br /></p> <p><a href="/en/blog/jesus-curia-b205.html" class="btn btn-default">More information</a></p> </body> </html>
  • Josep MOSCARDO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>" Moscardó uses often the compression of the space, everything reordering some geographical modals and playing with the different plans of composition; this playful aspect is one of the different characteristics of his works, which reflects his optimistic and vital look on the daily facts. " - magazine Bonart, 01/12/2016<br /><br /></p> <p><a href="/en/blog/josep-moscardo-b220.html" class="btn btn-default">More information</a></p> </body> </html>
  • Joanpere MASSANA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>Ponts, 1968</p> <p>Joanpere Massana was born in Ponts, in 1968 and is a Catalan plastic artist. He graduated in Fine Arts in the Sculpture specialty from the Faculty of Fine Arts "Sant Jordi" in Barcelona. He teaches sculpture at the Superior School of Art and Design Ondara, in Tàrrega. His work originated on the basis of books: "The book of games", "A book by Jana", "Il llibre dell'acqua", etc. He received the first painting prize in 1992, organized by the Generalitat de Catalunya. His work is among the main European collections, with great emphasis in Italy (painting, sculpture, installations, drawings, engravings, video installations, etc.). He has been the first artist to exhibit individually at the Palazzo delle Arti Napoli (2007).</p> </body> </html>
  • Joaquin MATEO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Escatrón, Zaragoza 1958 </strong></p> <p></p> <p>The painter Joaquin Mateo began in 1975 his artistic studies in the School of Applied Arts and Artistic trades of Barcelona and in 1976 he entered the Faculty of Belles Arts Sant Jordi of Barcelona. In 1982 he obtained a Bachelor's degree in this Faculty and in 1988 he passed the Free Drawing Opportunities as an added ...<br /><br /></p> <p><a href="/en/blog/joaquin-mateo-b234.html" class="btn btn-default">More information</a></p> </body> </html>
  • Jordi PINTO
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Cardona, 1968</strong></p> <p></p> <p>“...His work brings us a smile, for the sympathy that transmits in the forms of figures and landscapes. The color used is applied with intuition: his painting becomes magical...” -La galeria, de San Cugat.</p> <p></p> <p><a href="/en/blog/jordi-pinto-b302.html" class="btn btn-default">More information</a></p> </body> </html>
  • Kubach & KROPP
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Livia Kubach (Bad Münster am Stein, 1966) Michael Kropp ( Kölh, 1960)</strong></p> <p></p> <p>“What fascinates the viewer about the works of Livia Kubach and Michael Kropp is first and foremost the distinctive aesthetic aspect of the sculptures. The work of the artist couple is characterized by a conceptual design".</p> <p></p> <p><a href="/en/blog/kubach-kropp-b213.html" class="btn btn-default">More information</a></p> </body> </html>
  • Lluc QUERALT
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Tarragona, 1978</strong></p> <p>With the photography, Lluc Queralt was carried away by the world: in lands in a war like Palestine, Syria, Greece, the United States, countries of the east... but also Nordic lands like Iceland, a country with which it created close bonds and where he does not stop to return, to paint and expose.</p> <p></p> <p><a href="/en/blog/lluc-queralt-b313.html" class="btn btn-default">More information</a></p> </body> </html>
  • Lluís PUIGRóS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Sant Joan de Vilatorrada, 1970</strong></p> <p></p> <p>He finished his training period with studies of graphic design and applied arts in a l'Escola d'Arts and Crafts of Vic (1990-1995). Landscapes, urban architecture, large cities, skyscrapers and panoramas, which are often confused with images of reality, allow him to create a set of perspectives, light and color ...<br /><br /></p> <p><a href="/en/blog/lluis-puiggros-b311.html" class="btn btn-default">More information</a></p> </body> </html>
  • Maria PERELLÓ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Sabadell, 1961</strong></p> <p></p> <p><br /><br /></p> <p><a href="/en/blog/maria-perello-b215.html" class="btn btn-default">More information</a></p> </body> </html>
  • Marta DURAN
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Mataró, 1955</strong></p> <p></p> <p>"Reiteration and choice can always appear to be arbitrary or obsessive. Perhaps. However, in front of a painter who chooses blue and insists on using it, we need to remember some thoughts that Kandinsky made about this colour: ‘The deeper the blue becomes, the stronger it calls man towards the infinite, awakening in her a desire ...<br /><br /></p> <p><a href="/en/blog/marta-duran-b264.html" class="btn btn-default">More information</a></p> </body> </html>
  • Marta LAFUENTE
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><strong class="">Barcelona, 1976</strong></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="">By combining traditional painting and drawing techniques with mechanical reproductions from contemporary media, Marta Lafuente’s plastic work builds a poetics that is able to tackle the exploration of the individual both in the quest for its own existence and in its awe in front of the passage of time. </p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/marta-lafuente-b312.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Miquel WERT
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left hasVisual" style="position: relative;">Barcelona, 1982</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">Painter and muralist, Miquel Wert approaches everyday life’s theatrical nature and questions the representation of the collective subconscious with fascinating evocative illustrations that reconstruct a recent past that seems to fade away from memory. He has received various prizes and mentions and his work has been showcased in numerous international exhibitions since 2000.</span></p> <p class="p1"><span class="s1"><a href="#" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Inteview to Miquel Wert</a></span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/miquel-wert-b212.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Monica CASTANYS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left hasVisual" style="position: relative;">Barcelona, 1973</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">Monica Castanys’ work is remarkable for both the extremely lively colours of her palette (whose particularly expressive brushstroke reminds us of Impressionism) and her almost magical ability to capture moments of the everyday life. Lively and bright urban scenes compose a quiet and at the same attractively mysterious work.</span></p> <p class="p1"><span class="s1"></span></p> <p class="p1"><a href="https://www.anquins.com/en/blog/a-visit-to-monica-castanys-studio-b726.html" class="btn btn-primary"><span class="glyphicon glyphicon-"></span> Interview to Mónica Castanys</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Modest ALMIRALL
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>Ca N'Aguilera, Barcelona, 1959</p> <p></p> <p>"The Painter Modest Almirall  presents unique abstract surfaces that find their sense of representation in a tiny character, painted with needles and magnifying glass. With them, the artist tries to represent the position of the person in front of the great questions of existence. The artist puts the ...<br /><br /></p> <p><a href="/en/blog/modest-almirall-b238.html" class="btn btn-default">More information</a></p> </body> </html>
  • Mónica SUBIDÉ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><strong class="">Vilassar de Mar, 1974</strong></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""></p> <p class="">The human body is at the centre of Mònica Subirés figurative painting, even if she usually places it in theatrical compositions full of other elements. In her evolution, Subidé proves that she likes challenge, to the point of daring to remain in a kind of figurative painting that is now strongly attracted towards abstraction.</p> <p class="">Each line of Monica Subide’s paintings is created by an unlimited imagination and wide blank zones set this distance between the real and the imaginary world. The use of different media and mastering the art of collages is one of her biggest characterizations. Beholders of her art feel as if they are reading a book of fictional stories. </p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/monica-subide-b251.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Montserrat VALDÉS
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>“It is important to have talent, but talent is worthless without freedom of thought, ambition, bravery, passion and the desire to achieve your aim” Montse Valdés</p> <p> </p> </body> </html>
  • Núria GUINOVART
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><span class="tlid-translation translation"><span title="" class="">"The aesthetic result comes to the artist, but Nuria Guinovart is not the first thing she looks for in her works.</span> <span title="" class="">The expressive will, within which it moves has, first of all, full communicative desire towards others and towards itself as the first recipient of the emotions.</span> <span title="" class="">Passion and sensitivity come together and are expressed with courage within a natural sense of measure.</span> <span title="" class="">In the background, he launches towards what he only senses and that is unknown to him, but he tries to act sensibly.</span> <span title="" class="">That's why his work comes to us and it pleases us."</span><br /><span title="" class="">Josep Mª Cadena and Raimond Maragall</span></span></p> </body> </html>
  • Oliver ROURA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Barcelona, 1978</strong></p> <p></p> <p>" Oliver Roura is a great poet of geometry and colour... The balance and harmony of nearly mathematical serenity that his paintings offer our eyes are, in fact, the result of experimental work of tensions of different kinds.The tension in the motifs that shape Roura's universe: geometry, linear precision and exact ...<br /><br /></p> <p><a href="/en/blog/oliver-roura-b209.html" class="btn btn-default">More information</a></p> </body> </html>
  • Oriol TEXIDOR
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong> Barcelona, 1974</strong></p> <p></p> <p>My artistic career was born from a revelatory experience that hit me when I was 19 years old, when I discovered the work of Antoni Tàpies, which caused a feeling that marked me deeply. Once I had finished architectural studies I set off on a journey through the history of painting visiting some of...<br /><br /></p> <p><a href="/en/blog/oriol-texidor-b263.html" class="btn btn-default">More information</a></p> </body> </html>
  • Pere SALA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>Vic, 1962. Presenta un obra d’arrel clàssica però amb connotacions ben contemporànies, tant pel que fa a la temàtica com pel gran dinamisme de les seves composicions. Els seus bronzes ens recorden els gran mestres de la fosa del S. XIX, pel seu gran domini de la tècnica, els acabats i les pàtines. L’artista modela amb gran ...<br /><br /></p> <p><a href="/en/blog/pere-sala-b237.html" class="btn btn-default">More information</a></p> </body> </html>
  • Ramon CORNADÓ
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  • Rui GOMES
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left mce-content-body" style="position: relative;" contenteditable="true">Matosinhos (Portugal), 1973</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">Rui Gomes, a painter of Portuguese origin, but Catalan by choice, recovers New Figuration narrative quality without forgetting the semantic features of painting. Distributing his work in diverse series, he gives expression to experiences and preoccupations in paintings full of fantastic abstractions than can make us face the absurdity of life with a smile. </span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/rui-gomes-b241.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Tatiana BLANQUÉ
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p><strong>Sant Cugat del Vallès, 1971</strong></p> <p><strong></strong></p> <p><strong></strong></p> <p>"Tatiana Blanqué leaves behind the deafening noise of the city that does not grant any respite for the necessary reflection that can give us the answers to the many questions we ask ourselves and delves into the oases of peace of the natural landscapes where the rumor of the leaves does not ...<br /><br /></p> <p><a href="/en/blog/tatiana-blanque-b315.html" class="btn btn-default">More information</a></p> </body> </html>
  • Teresa RIBA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h3 class="media-heading editableLine text-left mce-content-body" contenteditable="true" style="position: relative;">Igualada, 1962</h3> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="p1"><span class="s1">Teresa Riba’s figurative sculpture has a tactile quality that pushes the spectator to take part in building the work’s meaning. The artist reflects on identity, sentiment and the person, but above all, about communication, thanks to a dialogue between the piece and the public in which it is the sculpture that questions the spectator, and not the other way around. </span></p> </div> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class=""><a href="/en/blog/teresa-riba-b206.html" class="btn btn-default">More information</a></p> </div> </div> </div> </div> </div> </body> </html>
  • Victor PEDRA
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <p>Between 1975 and 1980 Víctor Pedra studied Fine Arts in the Facultad de Barcelona, which completed with courses of engraving and ceramics in the same faculty. After his studies, the painter traveled between 1980 and 1982 from Europe to complete his formation and began in the sculpture. Over the years, the sculpture took on more importance in his ...<br /><br /></p> <p><a href="/en/blog/victor-pedra-b287.html" class="btn btn-default">More information</a></p> </body> </html>
  • Alejandro QUINCOCES
    <!DOCTYPE html> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="1" data-text="0" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <h2 class="media-heading editableLine text-left hasVisual" style="position: relative;">Bilbao, 1951</h2> </div> </div> </div> </div> <div class="widget containering" data-widget-type="Media" data-nb-col="1" data-title="0" data-text="1" data-pos="undefined"> <div class="media mediaWidget carousel" data-nb-items="1" data-auto-play="9000" data-rewind-nav="1"> <div class="mediaThumbnail"> <div class="media-body"> <div class="editable" style="position: relative;"> <p class="">"Works like his ratify the validity of the medium because they have what makes painting an irreplaceable form of expression: the brushstroke as a solid residue that retains its essential fluidity - that of oil and also of gesture -, and gesture a materialization of thought. The painting is calcified poetry. An excrescence of the poetic gaze".</p> <p class="">“La poesía es prosa a cámara lenta.” –<em class="">Nicholson Baker</em></p> </div> </div> </div> </div> </div> </body> </html>


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